Tazewell, a previous nominee for “West Side Story,” already has an Emmy award (“The Wiz Live”) and Tony award (“Hamilton”) under his belt. He triumphed over fellow costume designers: Arianne Phillips (“A Complete Unknown”), Linda Muir (“Nosferatu”), Lisy Christl (“Conclave”) and Janty Yates and David Crossman (“Gladiator II”). history-as-first-black-man-to-win-best-costume-design/">
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Variety Magazine: Carter, who in 2019 became the first Black person to win the Oscar for costume design for her work on Marvel’s “Black Panther,” was recognized for the film’s sequel, “Wakanda Forever.” In her speech, she thanked director Ryan Coogler and asked late “Black Panther” star Chadwick Boseman to look after her own mother, who recently died at 101. black-woman-to-win-two-oscars/">Read More

While our story centers around the boxing world in Los Angeles, Sugar Season 2 resonates with diversity, capturing different neighborhoods and subcultures that make LA so unique,” explains costume designer Christie Wittenborn. Scenes range from gritty pool halls, Koreatown’s nightlife, and Downtown’s homeless encampments to Beverly Hills luxury hotels, hospitals, and breathtaking Malibu Beach.

With the tenacity of a historian and the heart of a consummate fan, costume designer Marci Rodgers dug deep, amassing 800 pages of research, to embrace the soul of costumes for Michael. “I pride myself in thorough research,” she notes, “and constantly refer back to it as I design.” Undertaking the musical biopic of global icon Michael Jackson, dubbed the King of Pop and regarded as one of the most culturally significant figures of all time, was a huge responsibility. Rodgers approached it with profound reverence for his legacy, his family, and his fans.

The San Vicente Bungalows in Los Angeles were buzzing with legendary artisans on Wednesday as The Hollywood Reporter and Bvlgari celebrated this year’s Academy Award-nominated costume designers: Ruth E. Carter (Sinners), Malgosia Turzanska (Hamnet), Kate Hawley (Frankenstein), Deborah L. Scott (Avatar: Fire and Ash) and Miyako Bellizzi (Marty Supreme).

26th Costume Designers Guild Awards Winners

Mussenden is a big believer in reading, not just looking at photographs. She also believes in using fellow costume designers as part of her team. “I never designed a Western before, so I had to start my research from scratch,” she reveals. “I began with the Civil War using Time-Life’s The Old West encyclopedia that I borrowed from my friend, costume designer Kimberly Adams. I hired costume designer Christine Cantella for three weeks to visit all the museums in Texas and take photos.” Additional research included combing through digital libraries.

WWD: “Wednesday,” “White Lotus,” “Euphoria,” and “Stranger Things” made costume designers the influencers of 2022.
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The Star Wars universe quickly became part of the collective landscape. In the decades since many people have written themselves into Joseph Campbell’s monomyth—the broad concept that myths, folk tales, and religious stories from all over the world share unifying themes. Her own hero’s journey brought costume designer Suttirat Larlarb to the project after having honed her craft on projects like American Gods and the latest Bond film, No Time to Die.

What do Beyoncé, cowboys, and Godzilla have in common? Other than whopping box office returns, the answer is the distinctive and innovative costumes of Sharen Davis. Her costume design moves seamlessly between genres, from Westerns to science fiction, and every decade of the 20th century. Davis deals in hyperbole like it’s an everyday language. She took Django (Jamie Foxx) from chains and rags to Calvin Candie’s (Leonardo DiCaprio) burgundy suit in a move so brash that the movie itself stops to take a moment and appreciate it. Beyoncé time traveled right into her glittering gowns in Dreamgirls. She took Westworld from cowboys to samurai to the not-too-distant future.