With the tenacity of a historian and the heart of a consummate fan, costume designer Marci Rodgers dug deep, amassing 800 pages of research, to embrace the soul of costumes for Michael. “I pride myself in thorough research,” she notes, “and constantly refer back to it as I design.” Undertaking the musical biopic of global icon Michael Jackson, dubbed the King of Pop and regarded as one of the most culturally significant figures of all time, was a huge responsibility. Rodgers approached it with profound reverence for his legacy, his family, and his fans.
The San Vicente Bungalows in Los Angeles were buzzing with legendary artisans on Wednesday as The Hollywood Reporter and Bvlgari celebrated this year’s Academy Award-nominated costume designers: Ruth E. Carter (Sinners), Malgosia Turzanska (Hamnet), Kate Hawley (Frankenstein), Deborah L. Scott (Avatar: Fire and Ash) and Miyako Bellizzi (Marty Supreme).
The Victoria and Albert Museum holds a special place in the heart of every art enthusiast, and as a London visitor, it has always been a personal favorite. When it was announced that the museum would host an extraordinary exhibit featuring the legendary costumes worn by divas from the entertainment industry, I seized the opportunity to see it.
Celebrating our 25th CDGA was a beautiful collage of our past, present, and future. Honoring our history by officially christening our Awards statuette remains my most memorable and cherished moment. Film has the Oscar, television has the Emmy, and now—we have the Adrian.
Variety Magazine: Carter, who in 2019 became the first Black person to win the Oscar for costume design for her work on Marvel’s “Black Panther,” was recognized for the film’s sequel, “Wakanda Forever.” In her speech, she thanked director Ryan Coogler and asked late “Black Panther” star Chadwick Boseman to look after her own mother, who recently died at 101. Read More