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Spider-Noir is here, featuring costume design by CDG member Trayce Gigi Field. 🕸️✨

Spider-Noir perfectly blends a film’s noir atmosphere with the striking style of a comic book world. From the darkly humorous hero to the villains, to a glamorous lounge singer wearing vintage-inspired looks influenced by couture houses, every character carries their own distinct palette inspired by the comics.

“Spider Noir is honestly my most beautiful work to date. Creating the first live-action Spider-Man Noir was a dream come true! Because this was the first live-action Spider Noir, I knew we needed to get the super suit and mask exactly right for the fans. I took a grounded realism approach to the Spider’s overall look.

Ben was in the military and fought in France. His vest and pants are French-inspired motorcycle gear, since he rode motorcycles. The mask inspiration came from one of Ben’s 1920s wartime military knit sweaters. It took four levels of digital printing to create the knit-sweater look on the mask.

I loved creating a heightened version of the 1930s for the show’s overall look. I had the best crew ever on this project! From every background character to every principal actor, we gave all of our passion and attention to detail. You truly see all the gorgeous work on screen,” shared Field.

Read more about the costumes at TheWrap.com or in our Stories.

#SpiderNoir #CDG892 #Costume #NicolasCage #SpiderMan ...

The Costume Designers Guild mourns the loss of legendary costume designer and longtime CDG member Albert Wolsky, who passed away on May 23, 2026.

Across a remarkable career spanning Broadway and nearly 100 films, Wolsky helped define generations of cinematic storytelling through costume design. His extraordinary body of work included All That Jazz, Bugsy, Grease, Sophie’s Choice, Road to Perdition, Birdman, and many more. He received seven Academy Award nominations and won two Oscars for All That Jazz and Bugsy. In 1999, he was honored with the inaugural CDGA Career Achievement Award and later received the 2010 TDF/Irene Sharaff Award for Sustained Excellence in Costume Design. ✨

Friend and fellow costume designer Hope Hanafin shared, “Albert led by example. While his talent is unsurpassed, it is his kindness and generosity, his curious nature, and his way of engaging the world that also is his legacy.”

Albert Wolsky’s artistry, generosity, and lasting impact on costume design will never be forgotten. We send our deepest condolences to his family, friends, collaborators, and all who loved him. ...

Congratulations to costume designer and CDG member Ruth E. Carter on receiving her fourth honorary doctorate, a Doctorate of the Arts from @woodbury_university. 🎓

“As a young woman, I dreamt of becoming an artist of the highest caliber. Thank you to Woodbury University for seeing that vision. By honoring me, you are honoring Afrofuturism, the science and art of costume design, and the culture.” Ruth E. Carter

A visionary artist and trailblazer in costume design, Ruth continues to inspire generations through her groundbreaking work, storytelling, and dedication to the craft.

#CDG892 #RuthECarter #WoodburyUniversity #NakedWithoutUs #Afrofuturism ...

Building the vibrant world of ‘I Love Boosters’ meant creating a carefully coordinated explosion of color, texture, and style.

In a new feature with LA Weekly, costume designer and CDG member Shirley Kurata discusses crafting the film’s surreal fashion landscape through monochromatic palettes, extensive sourcing, and a meticulous eye for detail. ✨

“To be able to work on a project with so much color was my dream,” Kurata shares.
From costume house pulls to thrifting and online finds, Kurata’s work helped shape the film’s bold visual identity and heightened its blend of fashion, comedy, and social satire. 🎬

Read the full article in our Stories or at LA Weekly.

#CostumeDesignersGuild #CDG892 #ILoveBoosters #ShirleyKurata #Costume ...

While we’re currently spending time in theaters watching Meryl Streep purse her lips, judge collections, and send Emilys running as Miranda Priestly, her career has given us decades of unforgettable characters brought to life through costume design. ✨

From sweeping dramas to musicals and sharp contemporary comedies, costume designers have helped shape some of Streep’s most iconic performances:

(COVER): Into the Woods — Colleen Atwood
August: Osage County — Cindy Evans
Big Little Lies — Alix Friedberg
Death Becomes Her —
Mamma Mia! — Ann Roth
Sophie’s Choice — Albert Wolsky

Which Meryl Streep character lives rent free in your head? 🎬

#CostumeDesign #MerylStreep #CDG892 #CostumeDesignersGuild ...

The mysterious world of Widow’s Bay on Apple TV+ comes to life through richly layered costume design by CDG member Alex Bovaird. ✨

Set in a strange New England island town where curses, secrets, and unsettling events linger beneath the surface, the series uses costume to deepen the eerie atmosphere and define its unforgettable characters.

“Widow’s Bay is a place time abandoned — the costumes reflect an atmosphere that feels both familiar and impossible to name. Episode 4 belongs to Patricia and her reinvention. She’s a rich tapestry of quirks: courage gemstones, flamingo brooches, kilts, and sensible shoes. My brilliant New England team helped steep every character in the strange, salt-soaked brew of the island.”

#CostumeDesign #WidowsBay #CDG892 #CostumeDesignersGuild #AlexBovaird ...

Introducing the next edition of Costume in Color featuring yellow. 🌼✨

A color often associated with joy, optimism, creativity, and confidence, yellow has long been used in costume design to capture bold personalities, romantic dreamers, and unforgettable cinematic style. Across film history, the color brings warmth, energy, and vibrancy to the screen in ways that immediately draw the eye.

From radiant glamour to sun soaked storytelling, these films showcase the power of yellow through costume design:

What a Way to Go! — Edith Head
Clueless — Mona May
Crimson Peak — Kate Hawley
I’m Gonna Git You Sucka — Ruth E. Carter
La La Land — Mary Zophres
Once Upon a Time... in Hollywood — Arianne Phillips
The Green Knight — Malgosia Turzanska
Titanic — Deborah L. Scott
West Side Story — Paul Tazewell

What are some of your favorite yellow costume moments? 💛🎬

#CostumeInColor #CostumeDesign #CDG892 #CostumeDesignersGuild ...

On May 1, International Workers’ Day, Costume Designers Guild Local 892 joined fellow IATSE members and our Los Angeles area sisters, brothers, and kin to march in solidarity at the May Day parade. ✊

Together, we stood in support of protecting union jobs, strengthening labor standards, and continuing to advocate for the workers and communities that power our industry and ensure its future.

#MayDay #UnionStrong #IATSE #CDG892 #CostumeDesignersGuild ...

We’re celebrating 21 years of Mean Girls. 💕 For 21 years, the rules of the Plastics and Regina George have been living rent-free in our heads. From wearing pink on Wednesdays to Burn Book drama, Mean Girls gave us a masterclass in teen hierarchy told through costume.

Costume design by CDG member Mary Jane Fort helped define every iconic look that still influences fashion and film today, that is still...so fetch! ✨

#MeanGirls #CostumeDesign #CDG892 #CostumeDesignersGuild #Movies ...

Recreating the world of Michael Jackson for the screen meant building an entire visual legacy from the ground up.

In a new Vanity Fair article, Michael costume designer and CDG member Marci Rodgers shares how she approached the monumental task without access to Jackson’s original archive, relying instead on deep research, historical references, and an obsessive attention to detail to capture each era authentically. ✨

“From the socks to the gloves, I mean everything… what Jaafar put on would be no different from the day that Michael Jackson put on that garment.” She continues, “I studied the research. I would literally compare not just what was in my book, but I also had old archives of Jet magazines. Any and everything that I could find at the time that might have had a clear picture of Michael and his brothers that would inform my final decision when it came to recreating all of the garments.”

Congratulations to CDG member Marci Rodgers as we were completely spellbound by the level of detail and dedication behind this work.

Read the full article in our Stories or at Vanity Fair. 🎬

#CDG892 #CostumeDesignersGuild #CostumeDesign #Michael #MichaelJackson ...

Nearly twenty years after their iconic turns, Miranda, Andy, Emily, and Nigel are back as The Devil Wears Prada 2 heads to the big screen. From the fashionable streets of New York City to the sleek offices of Runway Magazine, we are more than ready to see what’s next in costume storytelling. 👠

Congratulations to costume designer Molly Rogers, a member of our sister union Local 829, on bringing this highly anticipated sequel to life.

#CostumeDesign #TheDevilWearsPrada #mirandapriestly #filmcostume #fashion ...

A little behind the scenes magic from our recent CDG Life Drawing Session. ✏️✨

This month’s theme was “Egyptian Cat: Bastet,” featuring model Kat (@redrabbu). The session offered dynamic poses, giving members the opportunity to sketch, study, and explore the art of the figure through illustration and costume.

Featuring artwork by
Barbra Araujo (@barbra.araujo)
Darell Fuentes (@d_alfie_)
Karen Yan (@yankarenyan)
Jacqueline Wazir (@jacquiewazir)

Stay tuned for the next session. We can’t wait to draw with you again soon. 🎨

#CDG892 #CostumeDesignersGuild #LifeDrawing #CostumeIllustration ...

On April 18, the CDG Marketing Committee hosted Coffee, Cookies, and Clueless: A Conversation with Mona May. ✨

“Mona’s book The Fashion of Clueless was released a few months back in tandem with the film’s 30-year anniversary. Mona discussed the challenges of working with Paramount to secure the visual assets from Clueless, as well as utilizing her contacts to personalize behind the scenes stories from the actors and curate the look of the book.

When it came to promoting The Fashion of Clueless, we were all surprised to hear that Mona and her publicist were the driving forces behind the book tour, television appearances, and interviews. Mona shared such valuable insight into the process of creating and promoting a book, and attending members were thoroughly engaged, asking thoughtful questions throughout the meeting.

The Marketing Committee is such a valuable asset to the Costume Designers Guild. Having a front row seat to the experiences of designers who are spotlighting their work through book deals and brand collaborations is invaluable. The generosity of the designers who share their experiences for the education of our members is truly special. I can personally attest to the value of attending these meetings and events. Not only are they fun, but they are incredibly informative.

I look forward to continued engagement from our members as we spotlight opportunities like Mona’s in the future.”
— Samantha Kuester, CDG Marketing Co-Chair

Thank you to CDG Marketing Co-Chairs Samantha Kuester and Salvador Pérez, along with the CDG Marketing Committee, for an engaging and informative event. 💫

#CDG892 #CostumeDesignersGuild #Clueless #CostumeDesign #MonaMay ...

Season three of Euphoria dives deeper into a world where desire, consequence, and identity collide, as friends grapple with the darker edges of growing up.

We’re excited to see the costume design by CDG member Natasha Newman-Thomas, whose work shapes the show’s raw, expressive visual language in the third season. 💫

Photos courtesy of HBO.

#Euphoria #CostumeDesign #CostumeDesignersGuild #RollingCalifornia KeepCaliforniaRolling ...

Congratulations to CDG member and costume designer Paul Tazewell on being honored with the TDF/Irene Sharaff Award for Sustained Excellence in Costume Design. ✨

This distinguished honor recognizes a designer whose body of work reflects a lasting commitment to excellence and celebrates artistry across theatre, film, and beyond. Tazewell’s work continues to exemplify a masterful understanding of color, texture, silhouette, and storytelling through costume.

A well-deserved recognition of an extraordinary career and enduring creative legacy. 👏

📸: @dannybristollphoto
#CostumeDesign #IreneSharaff #CostumeDesignersGuild #PaulTazewell ...

We loved seeing this behind-the-scenes moment from The Beauty, highlighting the creative collaboration between Isabella Rossellini and CDG member and costume designer Sarah Evelyn in shaping the unforgettable looks of Franny.

“The selfie I took in the dressing room of set of BEAUTY @thebeautyfx. I spent hours with the brilliant costume designer Sarah Evelyn @sarahevelyn creating the crazy looks for my character Franny. We wanted her to be absurd, ridiculous, extreme, yet still elegant. We had great fun!!!!”

A perfect example of how bold character, performance, and costume design come together to create something truly iconic. ✨

#CostumeDesign #TheBeauty #CDG892 #CostumeDesignersGuild #IsabellaRossellini ...

Introducing Costume in Color, a celebration of iconic film costumes through the lens of color. 🌸✨

To welcome spring, we’re starting with pink, a color that moves effortlessly between delicate femininity and bold, rebellious power. Across film history, pink has defined characters, challenged expectations, and created unforgettable moments on screen.

From classic Hollywood glamour to contemporary icons, these films showcase the artistry of costume design:

Breakfast at Tiffany’s - Edith Head
Coming to America - Deborah Landis
Gentlemen Prefer Blondes - William Travilla
Grease - Albert Wolsky
Legally Blonde - Sophie de Rakoff
Marie Antoinette - Milena Canonero
Never Been Kissed - Mona May
Pretty in Pink - Marilyn Vance
The Wizard of Oz - Gilbert Adrian

What are some of your favorite pink costume moments? 💕🎬

#CostumeInColor #CostumeDesign #CDG892 #CostumeDesignersGuild ...

Congratulations to our CDG members recognized at the 2026 CAFTCAD Awards this past March. ✨

We’re proud to celebrate the incredible work of our costume designers and illustrators whose artistry continues to shape storytelling across film and television:

Leslie Kavanagh — The Handmaid’s Tale (Costume Design in TV, Contemporary)

Luis Sequeira — IT: Welcome to Derry (Costume Design in TV, Period)

Bernadette Croft — Star Trek: Strange New Worlds, Episode 302 “Wedding Bell Blues” (Costume Design in TV, Sci-Fi/Fantasy)

Gersha Phillips — Star Trek: Section 31 (Costume Design in Film, Sci-Fi/Fantasy)

Mandi Line — The Young and the Restless, Episode 13135 (Canadian Costume Designer in TV, International)

Ann Foley — The Last of Us, Episode 205 “Feel Her Love” (International Costume Design for TV, Made in Canada)

Kate Hawley — Frankenstein (International Costume Design for Film, Made in Canada)

Chelsea Graham — Deathstalker (Costume Design in Indie Feature)

Costume Illustrator Terry Pitts — Billy the Kid Season 3
(Costume Designer: Carol Case)

We also celebrate Antoinette Messam, honored with the Award for Distinguished Service. @therealantoinettemessam

#CostumeDesign #CDG892 #CostumeDesignersGuild ...

The game isn’t over… it’s only just begun!🩸🎬

In Ready or Not 2: Here I Come, CDG member and costume designer Avery Plewes returns to a world where survival is everything and power comes at a cost. As Grace is pulled deeper into a deadly new chapter, the costumes evolve alongside the story, balancing tension, transformation, and the heightened stakes of a battle for control.

Ready or Not 2: Here I Come is now in theatres.

#CostumeDesign #ReadyOrNot2 #CDG892 #CostumeDesignersGuild #NakedWithoutUs ...

Join us in supporting the Keep California Rolling campaign. 🎬🌴

The Entertainment Union Coalition continues to advocate for the strength and future of film and television production across California, ensuring these vital jobs remain here at home. Through ongoing efforts, the campaign has helped keep our industry a priority and reinforce the impact of collective action.

CDG members are encouraged to take part by sharing your work and helping spotlight the importance of production in California. Whether you’re currently on set or wrapping a project, your voice helps tell the story.
📸 Post your on-set photos
✍️ Share a short caption about your project
🏷️ Tag @cdglocal892 @iatse and use #rollingcalifornia

For more information and resources, visit the campaign toolkit at the CDG website. ✨

#RollingCalifornia #KeepCaliforniaRolling #CDG892 #CostumeDesignersGuild ...

Spider-Noir is here, featuring costume design by CDG member Trayce Gigi Field. 🕸️✨

Spider-Noir perfectly blends a film’s noir atmosphere with the striking style of a comic book world. From the darkly humorous hero to the villains, to a glamorous lounge singer wearing vintage-inspired looks influenced by couture houses, every character carries their own distinct palette inspired by the comics.

“Spider Noir is honestly my most beautiful work to date. Creating the first live-action Spider-Man Noir was a dream come true! Because this was the first live-action Spider Noir, I knew we needed to get the super suit and mask exactly right for the fans. I took a grounded realism approach to the Spider’s overall look.

Ben was in the military and fought in France. His vest and pants are French-inspired motorcycle gear, since he rode motorcycles. The mask inspiration came from one of Ben’s 1920s wartime military knit sweaters. It took four levels of digital printing to create the knit-sweater look on the mask.

I loved creating a heightened version of the 1930s for the show’s overall look. I had the best crew ever on this project! From every background character to every principal actor, we gave all of our passion and attention to detail. You truly see all the gorgeous work on screen,” shared Field.

Read more about the costumes at TheWrap.com or in our Stories.

#SpiderNoir #CDG892 #Costume #NicolasCage #SpiderMan ...

The Costume Designers Guild mourns the loss of legendary costume designer and longtime CDG member Albert Wolsky, who passed away on May 23, 2026.

Across a remarkable career spanning Broadway and nearly 100 films, Wolsky helped define generations of cinematic storytelling through costume design. His extraordinary body of work included All That Jazz, Bugsy, Grease, Sophie’s Choice, Road to Perdition, Birdman, and many more. He received seven Academy Award nominations and won two Oscars for All That Jazz and Bugsy. In 1999, he was honored with the inaugural CDGA Career Achievement Award and later received the 2010 TDF/Irene Sharaff Award for Sustained Excellence in Costume Design. ✨

Friend and fellow costume designer Hope Hanafin shared, “Albert led by example. While his talent is unsurpassed, it is his kindness and generosity, his curious nature, and his way of engaging the world that also is his legacy.”

Albert Wolsky’s artistry, generosity, and lasting impact on costume design will never be forgotten. We send our deepest condolences to his family, friends, collaborators, and all who loved him. ...

Congratulations to costume designer and CDG member Ruth E. Carter on receiving her fourth honorary doctorate, a Doctorate of the Arts from @woodbury_university. 🎓

“As a young woman, I dreamt of becoming an artist of the highest caliber. Thank you to Woodbury University for seeing that vision. By honoring me, you are honoring Afrofuturism, the science and art of costume design, and the culture.” Ruth E. Carter

A visionary artist and trailblazer in costume design, Ruth continues to inspire generations through her groundbreaking work, storytelling, and dedication to the craft.

#CDG892 #RuthECarter #WoodburyUniversity #NakedWithoutUs #Afrofuturism ...

Building the vibrant world of ‘I Love Boosters’ meant creating a carefully coordinated explosion of color, texture, and style.

In a new feature with LA Weekly, costume designer and CDG member Shirley Kurata discusses crafting the film’s surreal fashion landscape through monochromatic palettes, extensive sourcing, and a meticulous eye for detail. ✨

“To be able to work on a project with so much color was my dream,” Kurata shares.
From costume house pulls to thrifting and online finds, Kurata’s work helped shape the film’s bold visual identity and heightened its blend of fashion, comedy, and social satire. 🎬

Read the full article in our Stories or at LA Weekly.

#CostumeDesignersGuild #CDG892 #ILoveBoosters #ShirleyKurata #Costume ...

While we’re currently spending time in theaters watching Meryl Streep purse her lips, judge collections, and send Emilys running as Miranda Priestly, her career has given us decades of unforgettable characters brought to life through costume design. ✨

From sweeping dramas to musicals and sharp contemporary comedies, costume designers have helped shape some of Streep’s most iconic performances:

(COVER): Into the Woods — Colleen Atwood
August: Osage County — Cindy Evans
Big Little Lies — Alix Friedberg
Death Becomes Her —
Mamma Mia! — Ann Roth
Sophie’s Choice — Albert Wolsky

Which Meryl Streep character lives rent free in your head? 🎬

#CostumeDesign #MerylStreep #CDG892 #CostumeDesignersGuild ...

The mysterious world of Widow’s Bay on Apple TV+ comes to life through richly layered costume design by CDG member Alex Bovaird. ✨

Set in a strange New England island town where curses, secrets, and unsettling events linger beneath the surface, the series uses costume to deepen the eerie atmosphere and define its unforgettable characters.

“Widow’s Bay is a place time abandoned — the costumes reflect an atmosphere that feels both familiar and impossible to name. Episode 4 belongs to Patricia and her reinvention. She’s a rich tapestry of quirks: courage gemstones, flamingo brooches, kilts, and sensible shoes. My brilliant New England team helped steep every character in the strange, salt-soaked brew of the island.”

#CostumeDesign #WidowsBay #CDG892 #CostumeDesignersGuild #AlexBovaird ...

Introducing the next edition of Costume in Color featuring yellow. 🌼✨

A color often associated with joy, optimism, creativity, and confidence, yellow has long been used in costume design to capture bold personalities, romantic dreamers, and unforgettable cinematic style. Across film history, the color brings warmth, energy, and vibrancy to the screen in ways that immediately draw the eye.

From radiant glamour to sun soaked storytelling, these films showcase the power of yellow through costume design:

What a Way to Go! — Edith Head
Clueless — Mona May
Crimson Peak — Kate Hawley
I’m Gonna Git You Sucka — Ruth E. Carter
La La Land — Mary Zophres
Once Upon a Time... in Hollywood — Arianne Phillips
The Green Knight — Malgosia Turzanska
Titanic — Deborah L. Scott
West Side Story — Paul Tazewell

What are some of your favorite yellow costume moments? 💛🎬

#CostumeInColor #CostumeDesign #CDG892 #CostumeDesignersGuild ...

On May 1, International Workers’ Day, Costume Designers Guild Local 892 joined fellow IATSE members and our Los Angeles area sisters, brothers, and kin to march in solidarity at the May Day parade. ✊

Together, we stood in support of protecting union jobs, strengthening labor standards, and continuing to advocate for the workers and communities that power our industry and ensure its future.

#MayDay #UnionStrong #IATSE #CDG892 #CostumeDesignersGuild ...

We’re celebrating 21 years of Mean Girls. 💕 For 21 years, the rules of the Plastics and Regina George have been living rent-free in our heads. From wearing pink on Wednesdays to Burn Book drama, Mean Girls gave us a masterclass in teen hierarchy told through costume.

Costume design by CDG member Mary Jane Fort helped define every iconic look that still influences fashion and film today, that is still...so fetch! ✨

#MeanGirls #CostumeDesign #CDG892 #CostumeDesignersGuild #Movies ...

Recreating the world of Michael Jackson for the screen meant building an entire visual legacy from the ground up.

In a new Vanity Fair article, Michael costume designer and CDG member Marci Rodgers shares how she approached the monumental task without access to Jackson’s original archive, relying instead on deep research, historical references, and an obsessive attention to detail to capture each era authentically. ✨

“From the socks to the gloves, I mean everything… what Jaafar put on would be no different from the day that Michael Jackson put on that garment.” She continues, “I studied the research. I would literally compare not just what was in my book, but I also had old archives of Jet magazines. Any and everything that I could find at the time that might have had a clear picture of Michael and his brothers that would inform my final decision when it came to recreating all of the garments.”

Congratulations to CDG member Marci Rodgers as we were completely spellbound by the level of detail and dedication behind this work.

Read the full article in our Stories or at Vanity Fair. 🎬

#CDG892 #CostumeDesignersGuild #CostumeDesign #Michael #MichaelJackson ...

Nearly twenty years after their iconic turns, Miranda, Andy, Emily, and Nigel are back as The Devil Wears Prada 2 heads to the big screen. From the fashionable streets of New York City to the sleek offices of Runway Magazine, we are more than ready to see what’s next in costume storytelling. 👠

Congratulations to costume designer Molly Rogers, a member of our sister union Local 829, on bringing this highly anticipated sequel to life.

#CostumeDesign #TheDevilWearsPrada #mirandapriestly #filmcostume #fashion ...

A little behind the scenes magic from our recent CDG Life Drawing Session. ✏️✨

This month’s theme was “Egyptian Cat: Bastet,” featuring model Kat (@redrabbu). The session offered dynamic poses, giving members the opportunity to sketch, study, and explore the art of the figure through illustration and costume.

Featuring artwork by
Barbra Araujo (@barbra.araujo)
Darell Fuentes (@d_alfie_)
Karen Yan (@yankarenyan)
Jacqueline Wazir (@jacquiewazir)

Stay tuned for the next session. We can’t wait to draw with you again soon. 🎨

#CDG892 #CostumeDesignersGuild #LifeDrawing #CostumeIllustration ...

On April 18, the CDG Marketing Committee hosted Coffee, Cookies, and Clueless: A Conversation with Mona May. ✨

“Mona’s book The Fashion of Clueless was released a few months back in tandem with the film’s 30-year anniversary. Mona discussed the challenges of working with Paramount to secure the visual assets from Clueless, as well as utilizing her contacts to personalize behind the scenes stories from the actors and curate the look of the book.

When it came to promoting The Fashion of Clueless, we were all surprised to hear that Mona and her publicist were the driving forces behind the book tour, television appearances, and interviews. Mona shared such valuable insight into the process of creating and promoting a book, and attending members were thoroughly engaged, asking thoughtful questions throughout the meeting.

The Marketing Committee is such a valuable asset to the Costume Designers Guild. Having a front row seat to the experiences of designers who are spotlighting their work through book deals and brand collaborations is invaluable. The generosity of the designers who share their experiences for the education of our members is truly special. I can personally attest to the value of attending these meetings and events. Not only are they fun, but they are incredibly informative.

I look forward to continued engagement from our members as we spotlight opportunities like Mona’s in the future.”
— Samantha Kuester, CDG Marketing Co-Chair

Thank you to CDG Marketing Co-Chairs Samantha Kuester and Salvador Pérez, along with the CDG Marketing Committee, for an engaging and informative event. 💫

#CDG892 #CostumeDesignersGuild #Clueless #CostumeDesign #MonaMay ...

Season three of Euphoria dives deeper into a world where desire, consequence, and identity collide, as friends grapple with the darker edges of growing up.

We’re excited to see the costume design by CDG member Natasha Newman-Thomas, whose work shapes the show’s raw, expressive visual language in the third season. 💫

Photos courtesy of HBO.

#Euphoria #CostumeDesign #CostumeDesignersGuild #RollingCalifornia KeepCaliforniaRolling ...

Congratulations to CDG member and costume designer Paul Tazewell on being honored with the TDF/Irene Sharaff Award for Sustained Excellence in Costume Design. ✨

This distinguished honor recognizes a designer whose body of work reflects a lasting commitment to excellence and celebrates artistry across theatre, film, and beyond. Tazewell’s work continues to exemplify a masterful understanding of color, texture, silhouette, and storytelling through costume.

A well-deserved recognition of an extraordinary career and enduring creative legacy. 👏

📸: @dannybristollphoto
#CostumeDesign #IreneSharaff #CostumeDesignersGuild #PaulTazewell ...

We loved seeing this behind-the-scenes moment from The Beauty, highlighting the creative collaboration between Isabella Rossellini and CDG member and costume designer Sarah Evelyn in shaping the unforgettable looks of Franny.

“The selfie I took in the dressing room of set of BEAUTY @thebeautyfx. I spent hours with the brilliant costume designer Sarah Evelyn @sarahevelyn creating the crazy looks for my character Franny. We wanted her to be absurd, ridiculous, extreme, yet still elegant. We had great fun!!!!”

A perfect example of how bold character, performance, and costume design come together to create something truly iconic. ✨

#CostumeDesign #TheBeauty #CDG892 #CostumeDesignersGuild #IsabellaRossellini ...

Introducing Costume in Color, a celebration of iconic film costumes through the lens of color. 🌸✨

To welcome spring, we’re starting with pink, a color that moves effortlessly between delicate femininity and bold, rebellious power. Across film history, pink has defined characters, challenged expectations, and created unforgettable moments on screen.

From classic Hollywood glamour to contemporary icons, these films showcase the artistry of costume design:

Breakfast at Tiffany’s - Edith Head
Coming to America - Deborah Landis
Gentlemen Prefer Blondes - William Travilla
Grease - Albert Wolsky
Legally Blonde - Sophie de Rakoff
Marie Antoinette - Milena Canonero
Never Been Kissed - Mona May
Pretty in Pink - Marilyn Vance
The Wizard of Oz - Gilbert Adrian

What are some of your favorite pink costume moments? 💕🎬

#CostumeInColor #CostumeDesign #CDG892 #CostumeDesignersGuild ...

Congratulations to our CDG members recognized at the 2026 CAFTCAD Awards this past March. ✨

We’re proud to celebrate the incredible work of our costume designers and illustrators whose artistry continues to shape storytelling across film and television:

Leslie Kavanagh — The Handmaid’s Tale (Costume Design in TV, Contemporary)

Luis Sequeira — IT: Welcome to Derry (Costume Design in TV, Period)

Bernadette Croft — Star Trek: Strange New Worlds, Episode 302 “Wedding Bell Blues” (Costume Design in TV, Sci-Fi/Fantasy)

Gersha Phillips — Star Trek: Section 31 (Costume Design in Film, Sci-Fi/Fantasy)

Mandi Line — The Young and the Restless, Episode 13135 (Canadian Costume Designer in TV, International)

Ann Foley — The Last of Us, Episode 205 “Feel Her Love” (International Costume Design for TV, Made in Canada)

Kate Hawley — Frankenstein (International Costume Design for Film, Made in Canada)

Chelsea Graham — Deathstalker (Costume Design in Indie Feature)

Costume Illustrator Terry Pitts — Billy the Kid Season 3
(Costume Designer: Carol Case)

We also celebrate Antoinette Messam, honored with the Award for Distinguished Service. @therealantoinettemessam

#CostumeDesign #CDG892 #CostumeDesignersGuild ...

The game isn’t over… it’s only just begun!🩸🎬

In Ready or Not 2: Here I Come, CDG member and costume designer Avery Plewes returns to a world where survival is everything and power comes at a cost. As Grace is pulled deeper into a deadly new chapter, the costumes evolve alongside the story, balancing tension, transformation, and the heightened stakes of a battle for control.

Ready or Not 2: Here I Come is now in theatres.

#CostumeDesign #ReadyOrNot2 #CDG892 #CostumeDesignersGuild #NakedWithoutUs ...

Join us in supporting the Keep California Rolling campaign. 🎬🌴

The Entertainment Union Coalition continues to advocate for the strength and future of film and television production across California, ensuring these vital jobs remain here at home. Through ongoing efforts, the campaign has helped keep our industry a priority and reinforce the impact of collective action.

CDG members are encouraged to take part by sharing your work and helping spotlight the importance of production in California. Whether you’re currently on set or wrapping a project, your voice helps tell the story.
📸 Post your on-set photos
✍️ Share a short caption about your project
🏷️ Tag @cdglocal892 @iatse and use #rollingcalifornia

For more information and resources, visit the campaign toolkit at the CDG website. ✨

#RollingCalifornia #KeepCaliforniaRolling #CDG892 #CostumeDesignersGuild ...